Out Of Bands: Essential and Unforgettable ⭐⭐⭐⭐

We often think of the anti-apartheid movement as a binary struggle. However, in the deeply personal and profoundly illuminating performance of 'Lall Lalchund', Jason Sardinha not only embodies the titular character but bravely explores a lesser-known, yet equally crucial, chapter of this tumultuous era: the internal tensions and conflicts within non-white communities themselves.

For the first time since this play was performed 26 years ago, Lall Lalchund, has been brought vividly to life by Sardinha. And in many ways is a universally relatable teenager. Frustrated with the perceived unfairness of his own life, dismissive of his father, and quietly admiring of a rebellious cousin, he encapsulates the youthful angst that transcends time and place. This foundation of personal relatability makes his subsequent journey all the more impactful.

While the story itself is compelling, it is Sardinha's virtuosic performance that truly elevates 'Lall Lalchund' into something extraordinary. Playing not just Lall, but a staggering thirty other characters. From the distinct cadences of his family members – including the subtle similarities between siblings of the same gender – to the authoritative tones of his school principal and the imposing voices of police officers, each character is meticulously crafted.

It’s a powerful, deeply personal dive into a tumultuous era, courageously presenting a side of the anti-apartheid movement rarely discussed. For anyone seeking a nuanced understanding of history, an intimate character study, or simply a masterclass in solo performance, 'Lall Lalchund' is an essential and unforgettable experience.